.:Out-of-the-box:.

Will "Reverse" achieve as spectacular success in America as it has recently done Poland?

Older I am, more confused I am with my approach to movies. I remember when I was first time in America couple of years ago and had very interesting conversation about movies with some local guys. I was asked a simple question: what kind of movies do I like.
At that time, for me, movies in theaters were just a cheap and easy alternative for live spectacles, for which I could not (yes, my fault) find time to organize myself and go. So I was choosing usually more ambitious movie projects with more flexible schedule at big cinematic complexes and I was watching them quite often. I looked for some artistic taste in each and every movie I had watched. Coming back to the question,  I answered, “I like ambitious movies and prefer directors with crazy ideas”, like Lars von Trier, Coens brothers, David Lynch to give some examples. In response I heard: “that’s funny, I go watching movies to relax and stop thinking for a moment, not to torment myself with hard to understand content”. And I had understood that approach too. I appreciated simple action and brainless comedies too, but not as a majority of my choices.

There are different tastes and I believe many people can say totally different story, if somebody asked them the same simple question. I think that many more go and watch movies just to experience some primal sense fun with easy story and great special effects. That’s where the power of Hollywood have established itself for a while. For me balance is important. I’m happy to perceive that a good mixture of fun, f/x pimping up the atmosphere and rich, surprising story seems to be more common in recent movies. It just makes it harder to judge simply, which movies are 100% good and which are 100% crappy with no single line of defense. Fair enough.

I’m giving this long introduction to my yesterday’s activity, which was a trip to local cinema and watching new Polish movie entitled “Reverse”. I’m talking about it because this movie is our, Polish, candidate for American Academy’s Awards, best known as Oscars. Having all above indicators in mind, I’m wondering if that movie will be anyhow noticed by American critics. I think “Reverse”, although it’s not easy movie to understand for a foreigner, has all these elements I have already mentioned. It has good balance of general fun. It has great story established in a period about which we (at least young) Poles would like to forget and go on. It has also some very interesting techniques used in the movie. Movie is prefabricated to look like old black&white production from the past. It has some shifts between past and presents. The only weakest point is camera. I see so many talented Polish guys behind the camera in American blockbusters. Seems so sad that those, who still make movies in Poland are “old school” so badly. Still a great movie, see below musical theme with well known trumpet player, Gary Guthman performing for it:

Movie’s theme is set in Poland, in middle 50′ties of the past century. A few years after a War War II, in still demolished Warsaw, a post war Polish society and community is rebuilding itself. Poland is influenced badly by early (and hardest) stage of communism with Stalin being still alive. In these “interesting” times we see a simple family of three women: grandmother, mother and adult daughter, struggling in very new for them, hostile world of distrust, invigilation and law made for officials, not for the people. These women have their daily problems bound to the times they lived in. I don’t want to spoil the story, so I’ll add that all these struggles are told in a mix of Woody’s Allen and Coens brothers style. Black humour, parallel personal stories and dramas being correlated in strange way. Movie simple binds you to your seat until it ends. Gay ends, because at the end, it even pays the attention to the modern definition of diversity.

Film has become very popular in Poland, but still I wonder, how will it be perceived in far Los Angeles. We have a history of Oscars given to dear Polish fellows for artistic, niche productions, like Wajda’s movies. Competition doesn’t look as a short list, though. Will see, I wish them good luck. Impressive movie.